CROSBY STILLS & NASH 1st Edition Sealed 180+ Gm 9LP Set
| Start Price |
USD 999.99 |
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USD 999.99 |
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| Start Time |
Thursday, August 28, 2008 |
| End Time |
Sunday, September 07, 2008 |
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El Toro, CA |
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Description
CROSBY STILLS & NASH FIRST EDITION collection of 180GRAM Classic Records Pressings. All out of print 1st generation limted editions very limited & gone everywhere in these factory sealed masterpieces. TOTAL OF 8 ALBUMS WITH 9 SIDES OF VINYL. THESE MASTERPIECES HAVE OFFICIALLY GONE OUT OF PRINT FOREVER ON SEPTEMBER 1ST 2007. THESE AUDIOPHILE GEMS WILL GO THRU THE ROOF AS THE MOST VALUED PRESSING EVER ON VINYL. MYMUSICFIX SEES THIS TITLE SELLING IN THE MONTHS TO COME FOR $300+ IN THE OUT OF PRINT COLLECTORS MARKET - DON'T MISS OUT ON SOME OF OUR LAST COPIES FOREVER. IF YOU ARE LOOKING FOR ANY OF THESE TITLES INDIVIDUALLY PLEASE GO TO OUR e-BAY STORES SECTION TO PURCHASE A SINGLE TITLE BY JUST HITTING THIS STORES TAB Classic Records has proven to be an Audiophile Company second to none in the new millennium. But Classic Records, unlike other top Audiophile Companies, does not place Limited Edition numbers on their LP jackets.2 years ago, Classic Records changed their vinyl weight from 180 gram to 200 gram. Mymusicfix knows no expert that has been able to decipher a true difference in quality with this 20 gram weight increase.What this change did for Collectors of the finest vinyl pressings was establish a First Edition element to Classic Records Audiophile pressings. All Classic Records 180 Gram pressings are now Out of Print and Very Limited Edition Collector's First Edition Pressings.These First Editions have become some of the rarest pressings in the Audiophile Collector's Market. Just try to find them at any Audiophile Retailer. In the long term, First Editions will be what Collectors seek. When you look at Classic Records First Edition 180 Gram pressings. How rare and valuable are each one of these 180gram sets now still Factory Sealed? Priceless!Mymusicfix is giving you one of the last chances to collect one of these 180 Gram First Editions. Mymusicfix has a very limited amount of these Rare Factory Sealed pressings. We're sure you may not have known about some of these titles existed. Have fun collecting these Masterpieces!These are tremendous titles and artists that Mymusicfix still has in these 180 Gram First Editions but we have very few pieces left of each title and prices willcontinue to rise as inventory continues to dwindle. INDIVIDUAL DESCRIPTIONS AND PRICES OF EACH TITLE CAN BE FOUND ON E-BAY MYMUSICFIX STORES TAB >: YOUR SELECTION OF 1ST EDITIONS ARE: Steven Stills/Manassas 2 LPs After stops in The Buffalo Springfield, CSN(&Y) and a few solo albums for the Atlantic label, Stills recruited musical kindred-spirits including the likes of Chris Hillman (The Byrds) to form Manassas. The resulting debut, a 2-LP set from 1972, has been a perennial favorite since its release. It's a big bubbling cauldron of country-rock-blue(s)- grass with blue eyed soul mixings plus Stills' penchant for Latin riffs (Suite: Judy Blue Eyes) thrown in for flavor. This collection not only showcase Stills trademark voice and song writing, but finally lets his fiery guitar playing blaze through. Songs include Song Of Love, Rock and Roll Crazies/Cuban Bluegrass, Jet Set, Anyway, Both Of Us, Fallen Eagle, Jesus Gave Love Away For Free, Colorado, So Begins The Task, Hide It So Deep, Don't Look At My Shadow, It Doesn't Matter, Johnny's Garden, Bound To Fall, How Far, Move Around, The Love Gangster, What To Do, Right Now, Treasure and Blues Man Track Listings 1. Fallen Eagle 2. Jesus Gave Love Away For Free 3. So Begins The Task 4. Hide It So Deep 5. Don't Look At My Shadow 6. It Doesn't Matter 7. Johnny's Garden 8. Bound To Fall 9. How Far 10. Move Around 11. The Love Gangster 12. Song Of Love 13. Rock & Roll Crazies 14. Cuban Bluegrass 15. Jet Set (Sigh) Steven Stills/Steven Stills, With this 1970 self-titled solo effort, Stephen Stills, like his bandmates of CSN&Y had decided to explore other musical avenues. Featuring Jimi Hendrix, who died prior to the album's release on Old Times Good Times. The London session also allowed Stills to finally team up with Eric Clapton on Go Back Home. Spawning the mega-hit Love The One You're With. The album is a masterful mix of the southern California folk pop sound that Stills helped forge, blended with the Latin, swamp and blues influences that he was ready to express. Also collaborating are John Sebastian, Rita Coolidge, David Crosby, Graham Nash and Cass Elliot. Engineered by Andy Johns and arranged in part by Arif Mandrin. Track Listings 1. Love The One You're With 2. Do For The Others 3. Church ( Part of Someone) 4. Old Times Good Times 5. Go Back Home 6. Sit Yourself Down 7. To A Flame 8. Black Queen 9. Cherokee 10. We Are Not Helpless Graham Nash & David Crosby/Self-Titled, This subset of Crosby, Stills, Nash & Young featured David Crosby and Graham Nash relying on their sweet harmonies and strong songwriting. The duo lasted from 1972 to the more-or-less permanent re-forming of Crosby, Stills & Nash in 1977. Track Listings 1. Southbound Train 2. Whole Cloth 3. Blacknotes 4. Strangers Room 5. Where Will I Be? 6. Page 43 7. Frozen Smiles 8. Games 9. Girl To Be On My Mind 10. The Wall Song 11. Immigration Man DAVID CROSBY - This title is the 200 gram second edition. David Crosby's debut solo album If I Could Only Remember My Name is a one-shot wonder of dreamy but ominous California ambience. The songs range from brief snapshots of inspiration (the angelic chorale-vocal showcase on "Orleans" and the a cappella closer, "I'd Swear There Was Somebody Here") to the full-blown, rambling Western epic "Cowboy Movie", and there are absolutely no false notes struck or missteps taken. No one before or since has gotten as much mileage out of a wordless vocal as Crosby does on "Tamalpais High (At About 3)" and "Song With No Words (Tree With No Leaves)", and because the music is so relaxed, each song turns into its own panoramic vista. Those who don't go for trippy Aquarian sentiment, however, may be slightly put off by the obscure, cosmic storytelling of the gorgeous "Laughing" or the ambiguous (but pointed) social questioning of "What Are Their Names", but in actuality it is an incredibly focused album. Even when a song as pretty as "Traction in the Rain" shimmers with its picked guitars and autoharp, the album is coated in a distinct, persistent menace that is impossible to shake. It is a shame that Crosby would continue to descend throughout the remainder of the decade and the beginning of the next into aimless drug addiction, and that he would not issue another solo album until 18 years later. As it is, If Only I Could Only Remember My Name is a shambolic masterpiece, meandering but transcendently so, full of frayed threads. Not only is it among the finest splinter albums out of the CSNY diaspora, it is one of the defining moments of hung-over spirituality from the era. Track Listings 1. Music is Love 2. Cowboy Movie 3. Tamalpais High (at about 3) 4. Laughing 5. What Are Their Names 6. Traction In The Rain 7. Song With No Words (Tree With No Leaves) 8. Orleans GRAHAM NASH SONGS FOR BEGINNERS - 200 GRAM PRESSING. After finding fame in England as a founding member of The Hollies and then settling in California where true fortune awaited him as one-fourth of CSN&Y, Nash made an auspicious solo recording debut in 1971. With help from friends David Crosby, Dave Mason and Jerry Garcia among many others, Songs For Beginners is an exemplary singer- song writer effort, revealing in many cases Nash's strong political passions. Highlights include the introspective I Used To Be A King and Man In The Mirror plus anthems such as Military Madness, Chicago and We Can Change The World. Mastered under the supervision of the artist himself, other selections include Better Days, Wounded Bird, Be Yourself, Simple Man, There's Only One and Sleep Song. Track Listings 1. Military Madness 2. Better Days 3. Wounded Bird 4. I Used to Be a King 5. Be Yourself 6. Simple Man 7. Man in the Mirror 8. There's Only One 9. Sleep Songs 10. Chicago 11. We Can Change The World PLUS THESE TWO ADDITIONAL CSN TITLES: SELF TITLED 1ST LP IN 200 GRAM - One of the major Super Groups of the late sixties, CROSBY, STILLS & NASH dominated the charts and influenced many musicians with their skillful harmonizing and folk-rock sound. This debut Album was well-received and began an association that would last in varying combinations for 25 years. Contains the classic – SWEET JUDY BLUE EYES rated the 41st best single in Rock N Roll – MARAKESH EXPRESS – GUINNEVERE – YOU DON’T HAVE TO CRY – PRE-ROAD DOWNS – WOODEN SHIPS – LADY OF THE ISLAND – HELPLESSLY HOPING – LONG TIME GONE – 49 – BYE-BYES ABSOLUTELY ONE OF THE BEST OF THE GROUP’S ALBUM OF ALL-TIME. ALSO CROSBY, STILLS, NASH & YOUNG - DÉJÀ VU - 2OO GRAM After 3 years of searching for the original master tape they have succeeded in reissuing the definitive LP version of the 1970 CSNY blockbuster recording with the following features: Cut from the original two-track analog masters; mastered by Bernie Grundman using his all-tube cutting system; pressed on proprietary Quiex Super Vinyl Profile and packaged in an authentic leatherette jacket reproduction. Less than a year after the release of CSN's groundbreaking debut, the group returned with Stephen Stills's (singing hit song, "Carry On",) former Buffalo Springfield cohort/rival Neil Young augmenting the threesome. The result is a less concentrated but more kinetic creation; Young swims through the celestial harmonies of rock's best trio. With classics like "Almost Cut My Hair" DÉJÀ VU is teeming with early '70s FM staples, including "Helpless," "Teach Your Children," , the hit "Woodstock" (penned by Joni Mitchell) , "Our House" and much more. Track Listings Side One 1. Carry On 2. Teach Your Children 3. Almost Cut My Hair 4. Helpless 5. Woodstock Side Two 1. Deja Vu 2. Our House 3. 4 + 20 4. Country Girl 5. Everybody I Love You LASTLY SUPERSESSION WITH STEVEN STILLS - MIKE BLOOMFIELD & AL KOOPER - 180 GRAM LIMITED EDITION Al Kooper, who created The Blues Project and established Blood, Sweat & Tears with their debut album,CHILD IS FATHER TO THE MAN, and also was the main contributer to Bob Dylan’s classic album, BLONDE ON BLONDE and was one of the best producers in the business. Steven Stills was inbetween playing with The Buffalo Sprinfield and was just in the evolution of starting Crosby, Stills, Nash & Young. SUPER SESSION has Mike Bloomfield ripping on his Gibson guitar laying down some of the most instrumentals you have ever heard with Al Kooper. On the second side with Al Kooper, Steven Stills does an eleven-minute rendition of “Season Of The Witch” which will blow you away. As the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967) had done a year earlier, Super Session (1968) initially ushered in several new phases in rock & roll's concurrent transformation. In the space of mere months, the soundscape of rock shifted radically from two- and three-minute danceable pop songs to comparatively longer works with more attention to technical and musical subtleties. Enter the unlikely all-star triumvirate of Al Kooper (piano/organ/ondioline/vocals/guitars), Mike Bloomfield (guitar), and Stephen Stills (guitar) — all of whom were concurrently "on hiatus" from their most recent engagements. Kooper had just split after masterminding the definitive and groundbreaking Child Is Father of the Man (1968) version of Blood, Sweat & Tears. Bloomfield was fresh from a brief stint with the likewise brass-driven Electric Flag, while Stills was late of Buffalo Springfield and still a few weeks away from a more or less full-time commitment to David Crosby and Graham Nash. Although the trio never actually performed together, the long-player was notable for idiosyncratically featuring one side led by the team of Kooper/Bloomfield and the other by Kooper/Stills. The band is ably fleshed out with the powerful rhythm section of Harvey Brooks (bass) and Eddie Hoh (drums) as well as Barry Goldberg (electric piano) on "Albert's Shuffle" and "Stop." The heavy Chicago blues contingency of Bloomfield, Brooks, and Goldberg provide a perfect outlet for the three Kooper/Bloomfield originals — the first of which commences the project with the languid and groovy "Albert's Shuffle." The guitarist's thin tone cascades with empathetic fluidity over the propelling rhythms. Kooper's frisky organ solo alternately bops and scats along as he nudges the melody forward. The same can be said of the funky interpretation of "Stop," which had originally been a minor R&B hit for Howard Tate. Curtis Mayfield's "Man's Temptation" is given a brass-fuelled soulful reading that might have worked equally well as a Blood, Sweat & Tears cover. At over nine minutes in spin time, "His Holy Modal Majesty" is a fun trippy waltz and includes one of the most extended jams on the Kooper/Bloomfield side. The track also features the distinct hurdy-gurdy and Eastern-influenced sound of Kooper's small electric keyboard-manipulated ondioline, which has a slightly atonal and reedy timbre much like that of John Coltrane's tenor sax. Because of some physical health issues, Bloomfield was unable to complete the recording sessions and Kooper contacted Stills. Immediately his decidedly West Coast sound — which alternated from a chiming Rickenbacker intonation to a faux pedal steel — can be heard on the upbeat version of Bob Dylan's "It Takes a Lot to Laugh, It Takes a Train to Cry." One of the album's highlights is the churning and scintillating cover of "Season of the Witch." There is an undeniable synergy between Kooper and Stills, whose energies seems to aurally drive the other into providing some inspired interaction. Updating the blues standard "You Don't Love Me" allows Stills to sport some heavily amplified and distorted licks, which come off sounding like Jimi Hendrix. This is one of those albums that seems to get better with age and that gets the full reissue treatment every time a new audio format comes out. This is a super session indeed. 1. Albert's Shuffle 2. Stop 3. Man's Temptation 4. His Holy Modal Majesty 5. Really 6. It Takes A Lot To Laugh, It Takes A Train To Cry 7. Season Of The Witch 8. You Don't Love Me 9. Harvey's Tune SHIPPING AND PAYMENT -- In the Continental United States, ADD $24.75 for UPS Ground Freight/Insured with the best packing in the business. International via U.S. Post Office – Airmail Letter/ Parcel Post. Visa/ MasterCard by calling the office at 949 454-8577 EX10 - Money Order- PayPal for CONFIRMED ADDRESSES or insured international orders ONLY accepted. Check out Mymusicfix for additional Audiophile Vinyl by hitting ME or STORES TAB on the Title Purchase Page to view our current items up on E-Bay. Mymusicfix2@msn.com has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. For any information of any one of these items, please call 949 454-8577 Monday through Fridays 9AM to 4PM Pacific Standard Time. CLLP FYI vinylrotation On Oct-04-06 at 08:25:36 PDT, seller added the following information:
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