78 rpm SET - BIZET CARMEN - Elie Cohen Thills 1928/9
RARE COMPLETE OPERA - !!ONE IN A LIFETIME SET !!
| Start Price |
USD 1,000.00 |
| Current Price |
USD 1,000.00 |
| Time Left |
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| Bid Count |
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| Start Time |
Monday, May 12, 2008 |
| End Time |
Monday, May 19, 2008 |
| Location |
DINGLE |
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Description
"ANY QUESTIONS REGARDING ITEMS PLEASE ASK THROUGH EBAY ONLY" PAYPAL ONLY NOW SHIPPING FROM IRELAND VISIT www.offtherecord.ie BIZET CARMEN ELIE COHEN Carmen: Raymonde Visconti (mezzo-soprano) Don José: Georges Thill (tenor) Micaëla: Marthe Nespoulpous (soprano) Escamillo: Louis Guénot (baritone) Frasquita: Andreé Vavon (soprano) Mercédès: Andreé Bernadet (soprano) Dancaïro: Robert Roussel (tenor) Remendado: Téo Mathyl (tenor) PLEASE READ DISCS ARE IN STUNNING CONDITION BUT MAY NEED TO BE CLEANED BEFORE PLAYING , COVER HAS SOME WEAR BUT ALL INNNER WALLETS ARE IN STUNNING CONDITION THIS IS A VERY HEAVY SET AND HAS TO BE CAREFULLY PACKED FOR SHIPPING PLEASE ASK FOR SHIPPING QUOTE THIS SET MUST BE INSURED FOR SHIPPING This pioneering Columbia recording of 1927, the first in electric rather than acoustic sound, offers us a welcome opportunity to experience the work as it was performed by an all-French company, and what a benefit that is! These artists know by nature than the text is as important as the music: all the principals play with the words in a way quite lost in an age of international casts, singers who have seldom if ever worked as an ensemble.Cohen was Columbia’s regular conductor of French opera at the time, and as in other works, completely enters into the spirit of the work in hand (oddly, the Flower Song was recorded separately and conducted by Philippe Gaubert). It may well be that the set was built around the great French tenor, Georges Thill, who sings the role in a way it has seldom been sung since. Words and music are perfectly wedded in his delivery. His voice is a strong lyric tenor bordering on the heroic. He is as adept at singing sweetly, as in the duet with Micaéla, and then truly forceful but never forced in the finales to Acts 3 and 4. The Flower Song is sung with weight and feeling, but it is a pity Thill sings the final B flat forte, rather than piano as Bizet wanted.Visconte at first seems a rather matter-of-fact Carmen: the first-act solos are not sufficiently characterised. But then this slightly casual reading seems deliberate: the Card Scene is sung accurately and with a real sense of foreboding and in the grand finale she defies José with magnificent courage and insouciance. Nespoulos was a popular soprano in Paris and elsewhere at the time: her Micaëla is sung in that clear, clean light, secure tone then favoured in this and so many soprano roles. Guénot is a personable and vivid Escamillo. The smaller parts are well taken, Zuniga and Morales apparently by members of the company.What we hear is a potted Carmen; all the essentials are there except the Act I finale, and no dialogue or recitative. The excellent transfers added to my pleasure in a set I had never encountered before. I recommend it as a second version in any reputable collection of French opera. CLASSICALNET: This classic recording deserves a return to the catalogue with a host of great French singers and the inimitable Elie Cohen at the helm; it truly takes its place amongst the great "Carmen's" of all time. Although the set is definitely not complete as it clocks in at just over 110 minutes, it is hard to find a better version. The aura of Francophile experience permeates every single note and with singers such as the great Georges Thill and Raymonde Visconti, you cannot really go wrong. First was Carmen (Bizet) with Raymonde Visconti as Carmen, Marthe Nespoulous as Micaela and Georges Thill as Don José, recorded between 13 February and 9 June 1928, matrices LX 177-5, 178-79, 196, 197-5, 229-32, 235-37, 243, 244-4, 245, 248-53, 254-4, 255, 276-78, 286-87, 289-5. There are two curiosities in this set. Thill made the Flower Song, conducted by Philippe Gaubert, on 11 February 1927, matrix LX 46, a full year before the complete set was begun. Nespoulous remade Micaela’s air on 1 December 1928 as LX 648-1, but it is not clear whether this was inserted in the set to replace LX 231-3. The set was issued as D 14222-36; UK, 9527-41; US, 67544-58D in set OP 1. WILL COMBINE SHIPPING TO GET BEST VALUE ONLY AIRMAIL SHIPPING FROM IRELAND NO REFUND ON SEALED RECORDS IF RETURNED OPENED NOTE!! INSURANCE IS OPTIONAL BUT ADVISED, IF NOT INSURED I WILL NOT BE RESPONSIBLE FOR DAMAGE OR LOSS PLEASE NOTE " RECORDS HAVE BEEN ON SHELVES FOR MANY YEARS AND SOME COULD DO WITH A FINE CLEANING BEFORE PLAYING THEM , THEY ARE IN BEAUTIFUL CONDITION, BUT FINE PARTICLES OF DUST WILL GET IN ANYWHERE NO REFUND ON SEALED ITEMS IF OPENED ALL ITEMS MUST BE PAID FOR WITHIN 7 days ENQUIRE FOR SHIPPING COST SHIPPING COSTS under 500g 500g TO 1Kg 1 to 2 kg 1 LP GB AIR MAIL REGISTERED $16 $ 20 $ 24 ' EUROPE '' $16 22 24 '' USA & REST OF WORLD '' $ 16 22 30 EACH ADDITIONAL LP $6 DOUBLE LP, ect = 2 RECORDS CAN GET GOOD COURIER PRICE FOR WEIGHT UP TO 30 kg for UK & EUROPE ONLY FOR BOX SETS & BULK , SHIPPING COST DEPENDS ON WEIGHT BUY BULK AND SAVE ON SHIPPING I WILL GIVE THE BUYER THE BEST SHIPPING COST THAT I CAN GET FROM POST OFFICE VISIT MY STORE FOR MORE GREAT ITEMS NO SURFACE SHIPPING TO USA OR ASIA INSURANCE IS OPTIONAL FOR ALL OVERSEAS ITEMS IF YOU DONT WANT INSURANCE, DONT BLAME ME IF IT GETS DAMAGED OR LOST . I HAVE HAD BAD EXPERIENCES IN THIS AREA , pay the insurance and everybody is covered IF FOR SOME REASON OR ANOTHER YOU ARE NOT HAPPY WITH AN ITEM ,YOU CAN CONTACT ME !!!! YOU DONT HAVE TO GO CRAZY WITH THE NEGATIVE FEEDBACK ,THERE ARE ENOUGH IDIOTS OUT THERE DOING THAT !!! THERE IS NO PROBLEM THAT CANNOT BE SOLVED . MISTAKES HAVE HAPPENED IN THE PAST AND WILL HAPPEN AGAIN On Oct-10-07 at 18:02:49 PDT, seller added the following information:
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